Free Declaration - District Court of Delaware - Delaware

Case 1:04-cv—01373-KAJ Document 417-2 Filed 06/20/2006 Page1 0f3

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{ v_ g _ · _ ~ fA*'°·*ty_ using an airbrush, chalk ora paintbrush.
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,e QQ The Quantel Paintbox was launched relationship with them ensures the future tion. This has proved very useful for a.
{.5 V t lj tive years ago into a market which for all concerned. range of applications including making
ji hardly knew what I TV graphics Over the last 15 months there have animation sequences.
· ji “‘ machine could do. Then. as now. other been two major software releases, PRO4, Further help towards frame animation
xg machines were mostly computer based and the latest, PRO4.06. The first, besides is given in facilities Auto Save and Auto
Ii rather than dedicated tools. Having bringingahostof newfeatures, significant- Fetch. Auto Save freezes and records §j_
’ ,Q ;;___ steered people away from concepts of ly changed the layout of the menus. The frames in an automatically numbered se- 7
;; jg;} computer graphics towards the benefits second has introduced a further new range quence. Playing out Auto Fetch presents V
gl of a TV graphics system. the Paintbox of facilities and enhancements. pictures in numeric sequence on pen tap
" "‘~· took oft. It ts a credit to its design that The new on-screen menu layout of or cue. A simple protocol exists to enable A
' there have been no major system PR04 follows the same theme as the these functions to operate in coniunction T
4 ·_ changes to the Peintbox since then. previous software versions with the major with a VTR via an animation controller
I ?§ Nearly all the long list of enhancements modes displayed at the left and the rele- such as the Lyon Lamb or VES. With such ~
T Q Q3 have come in the form of software so al vant subordinate functions appearing to a setup, video clips can be automatically
‘ yea 8 users cen benefit. Some external evoIu· the right. ln this way the menus are kept loaded into Faintbox, retouched or
a tkmery changes have occurred such as uncluttered despite the fact that there are whatever in the usual Paintbox way, and
tf? the introduction of the removeable disk over 300 functions available in all. Stencil re·recorded frame by frame back on to
O Z3 system (RSD) and a new touch tablet functions are made available in all menus tape again using the Auto Fetch. The
¤ from TDS. The software has changed it except Library. This is simply because the system works well but is of course T
I sr? gy. quite dramatically, almost into a new stencil is such an important and widely superseded if you have a Harry.
_ Eg machine. used facility that making it so easily The concept of 'special' brushes is in· ·—
,_ g; available simplifies and speeds operation. troduced. Blur and Crisp do not paint but
», fj The success of the Paintbox is simp· The initial concept of the Paintbox are extremely useful for defocusing or
_2;; ly related to the ease with which graphics was that it should completely hide the sharpening an area of picture and are just
`; designers can explore its many facets to 'digital' and 'computer' technology from right for emphasising a particular item or
gig fi produce high quality graphics efficiently. the user so the artist can concentrate on the depth of the picture. The field brush
J j fj Software changes have been made always creative matters. PRO4 introduced allows the selection of picture information
= ij; tg to enhance this situation and we are something of a departure from the idea from only ooo ofthe two TV Holds, thus
V “ forever grateful for the useful comments, with PASTATS. This shows the figures removing interfield motion flicker in the _
pointers, and hints that designers give us. which define the >< and y position, magni· brushed Brea.
, ’_f:»‘ Pg Where would webewithout ourenthusias— fication and rotation ofacutout. Converse- PRO4 brought a number of other
··‘’, ·*t?· =“i tic customers? Designers were in at the ly the figures can be used to force the functions Suoh 38 TACK which enables any
g — A .§ start of Paintbox and our continued good cutout to a particular size, position or rota-
AXD028707

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. ,:·, ·v·V ‘`’‘ I-` :’· ‘··‘ % i%i‘1 ‘»·, *·;·.· —· ,,‘’ » _? ‘:‘` — ‘ ~ —- ·· i·;¥. ' . *` ` r ’»`‘ , r ‘i if ‘· ‘ ·.·¢== ‘ —. ‘‘A·· 3;; -.·_ ··*·
l y _~_,
_;°‘ number of cutouts to be moved around · , ; . ei V _ ; H;
and repositioned before being finally stuck; W Q “ g f ‘ A ‘% ` j , . '’,`·ll’· Q A » ‘ Q'; “ j._r_
for convenience, stencil can be shown as r — r. _ . · x ` `, · _ ri" A · v_ ‘
Q any colour rather than the normal red. r _ . ‘ —s ' ‘ ·· , " 5 ~ A
2 Perspectiveisafeature which is particular- V _ _ . · · A _ ‘ J? v_ · l . `-
ly useful for package designers, enabling _ ·· r V_A· A ·`i · _ “ ~ _ A {A V 2;
* i‘ ' pictures and labels to be stuck on to the , " q » r I i Q , V 1 ;—jr_; ._ ·
— W _ sides ofthe package in H realistic WGY. Also we A. ‘ ` DRAW S-TEN ‘ 4
there is the ability to show the stencil in Em; amd. 5 . Bm, mm} — ._ A
· a*'*Y °°'°“'· . _ _ _ @@51 *¤lr¤r¤¤iie ¤ ¤¤l¤l l t EEHEEZIEIHHE
_ The latest Pamtbox addition IS _ , A s · mgggggn V *
y PR04.06 software. Not a particularly y i » r I restore pic [|£][<]Q _.
g auspicious name for what isavery signifi· A N ·— ` Fl 6] _ . __ jj;
V j. sggggi';;l;:;Fg;;¥e°;?;t::$gféi;;§ The How of pain: from the airbrush can be selected from 1% to 1Q0%, A ”
Q but is streamlined and offers many new ’ .·
at possibilities. lt also representsacross fer— ~_ ,_ { · s i A : are ·:;_ i , g
`’‘· Y { tilisation of ideas with the Graphic Paint- Q_ . "· ' Q _ ' · A 4, ’ ~— ·~ V A , I _
box being supplied to the print industry. ;`:—· * 4 `A · · ‘ _ ' _ ‘ " Q . , A ·‘ ‘ ~ ·_
A»‘‘ ; One major area is additional facilities A: ‘ ’ f ’ _,» e ‘ ‘ .·A_ A · r` _
forthe use of cutouts. Stamp givesa quick _; " 4 i ` r V 5* , — A j 1
way of repeating a cutout many times. `}_‘g}j__j·{ ·‘-‘ · ‘ e _ r ` . 2 . · ‘g{
—·¢€{t · Smudge uses the outline of the cutout to AW_i_. ~;g;‘,g; ff; " -{~ y f ' I ; _~A <·‘¤
“ define the parts ofthe picture to be m0v· ‘ · ‘ ' ` v_ · _ : ‘ ¥ ·· · ii Eg EI 1 A {
A ed by the pen strokes and is very much _ ` `V du h um j ig.
V enalogous to the wettingeronawet pain- `*·"·‘·*’·’* ‘· ’`‘‘ · m E ‘‘‘` *"” " ·_ A _ ,,,,,,8,,m, W ‘
.; 4 mg. rr has already been proved easy to ,*8.mu, ;__ °m “i_____ W __ A · A.'_A ·· _ _. _< USEBRW 4 A
‘i , modlfya uigitised photo in this way so that, ;m ‘ “ · e ,»,“°,,. ;;r,_ · AA
V . within a few minutes, it look like a pain- s m e sy n »; , · · i ·
5 " —: Qqidjai?rg:;?;t;:;ESa?:;1gg%?;§g During selection of facilities, the current state ofthe brush is displayed in the blue _
‘ . ' of the cutout as it is dragged across the b°x‘ Lf =
~ picture. This instantly produces a trail ef- A ’ _ _ - ·_1
feet and can be used as a custom brush. the opaque and transparent ends of the TYP9Q•’6I{hY has nm $*00d still Glihéf- ‘? e
Q; ;; _ r As a nnanwsst, the percentage or smudge, stencil. Although me mma: idea was that The ¤r•e¤¤¤l· lrbrarv ¤f 100 ¤fi·th¤-shelf ·-
EQ; __li Smear and Stamp intensity can be set this would enable a good overlay to be TYi?€l¤¤¤$ has ¤> 740- MNB are ’
¤· Q ’ anywhere between ‘l and 100 using a derived from a low contrast picture, this *26****9 added 0** 6 FGQUW basis 85 $€l8¤· i
_ ‘ l number box that first appeared to enable has also been found most effective as a ¤¤¤S are Nada frvm W6 ¤h¤¤S8¤dS ¤* E· A
`· ·A’A E I pre-setting of the flow rate of the air bmsh. quick way of defining a stencil of a par- faces avarlahle- ,
i ·A-A· ll? Artists comment that these features pro- ticular object in a picture. _
vide a totally new way of using the Following the success of Pastats, the lntwfacmg i ‘
lll Paintbox. theme has been extended, enhanced and.. On me ¢€¤l'•¤l¤6! side, more interfaces have Q
Q, There are new two temporary save renamed Statistics. The parameter values bven provided. Perhaps the most impor·
J ·»;, pictures files called Old and New. A new can now be displayed on the menu and tant iS the 41212 component digital video ‘
fg `. _·_ rig. special brush, Restorefenables painting these include separate controls for x and wld ¤0lW0| l¤Y€l”l80€ Wiih Ouant&l'S Harry. `
`_ from the existing picture through to the v magnification —·so aspect ratios can be This i¤i8Fl6<=¤ is S0 well 66*/6|0¤€d thai.
V _gQ_ selected Old or New image. changed. Numeric entries imc the menu when required, the two machines behave I. ·
;il= All normal bmshes. including airbrush, are becoming more commonplace and so as one. Designers become almost unaware _ ‘
ji}?. can be used. Besides giving an easy way a number pad has been provided at the of which machine ih€Y SFS using. |S Harry i` `T
to fix a mistake without having to lose all right of the menu. li means that there is an extension of Painibox or Paintbox an ex- `_ v_,‘_
ng the work since thelast save picture opera- less need to refer to the keyboard and tension of HBWY? li really d¤esn‘t matter `f` =§,··
tion (you restore only the particular area ioystick. Once again, the controls in the UGGHUSB ¤¤¤il’¤! and picture exchange is = ';‘
of the errorl, Restore has become very hands of creative minds stan to be used SG BHSY that me Simply complements the *
popular for a host of other uses. For ex- in unanticipated ways. For example, con- other. It rs rare. if ever. that such close
5 ample brushed 'wipes‘ from one picture to trolling position with the number pad us- m¤<=hi¤¤ to machine integration has been _
e;j'Qi§QQY ·: another, blending of two images (or more ing the lNClrementl box precisely 'nudges' SBGH in TV posi proouction. And yet, the ~
{Q, g; ,'‘·" if you like), defining an irregular area for the cutout across the screen enter new TWG Gan ¤¤W D6 SDM Y0 work completely j
Qi:4 9 an effect such as mosaic. and so on. As nudge feature! independently and so retain full flexibility. _ _
ji? ` with so many of the Paintbox functions, Frame grabbing has been improved Another important interface is given i fi:
T V the graphics designers are forever ex· with the introduction of frame averaging. by ihé ml¤f0fl0l€>DV disk. This can hold one · Z2:
ji. F perimenting and coming up with new Besides taking in just one frame as before, Pi¤i¤f6. Of ¤¤i¤¤i and provides 6 picture -
ij;} _ { techniques and applications. Not surpris· a tw0—frame average can be chosen. This lll 8 format Whl¤l'l can be used for irtter· ;
; , ‘ 4 ing really; that's what the Paintbox is all has the benefit of eliminating cross colour f8G€ YG Giher digital machines such as f
’ , ` about. from coded sources and reducing random QFHDNGS C¤mPUT€|'$· li also gives 8 means '_
- There are many very helpful practical noise. For more troublesome inputs, the of picture exchange with the Graphics ·
a ; `i enhancements. For instance Effects MANY box allows e new average to be Palnibox for producing TV viewer guides _ y
4.;. = lmosiae, overlay, Reid and colour map) can made each time the pen is tapped. So, pro- OT translating image from television adver-
7}] l ;r be limited to a chosen rectangle and can vided the image holds still, noise can be Using campaigns to coordinated adver-
be restricted by stencil. Fiework enables greatly reduced. But, once again, the USBMGHTS in Dflnwd media.
. g eutouts to be recalled with their full sten- creative people have already round an er- RGFHGKG control Software now allows ] gf
t · T il eil and chosen picture area for reworking. tistic application. Placing artwork under the The P6¥¤'€b¤>< *0 b€ ¥¤i¤llY ¤0¤¥f¤l|8d from V {Q
> A `- i Library items are identified by title during camera and taking many picture averages all R$·232 Dori. This is particularly useful `
_A { Browse. lf the original item is to be recall- as the camera zooms produces an exciting f¤f fi><8d TOYFHBY presentations Such as
’ ed after further work, the artist simply motion blur effect, To finish the work, take weather forecasts. Special events, elec- _
4 , gl reopens the library and hits the title. in the final zoomed out image and use the tions, Sports and so on. This 'remote'
Another feature allows the overlay range restore brush to add it over the blur. Paintbcx can also be Switched to normal
_i_? ’ -‘A- Q EI to be set by defining luminance levels for Another masterpiece completed. touch tablet operation. IBE 104
AXDO28708